Lao claims that Toph is not his daughter, and tries to have her, Aang and their friends escorted out of the refinery. At that moment, the refinery's owners-Satoru's uncle Loban, and Toph's father Lao Beifong arrive on the scene, and the novel ends with Toph and Lao recognizing one another.
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The argument is brought to a stop when a series of earthquakes threaten the lives of the refinery's workers, and prompts Aang and Toph to work together to prevent anyone from getting hurt and minimize damage to the refinery.Īfter the danger is over, Toph suggests that Aang is trying too hard to hang onto the past, prompting Aang to suggest that Toph is trying too hard to run from it, to which Toph claims that she has no choice. When Aang points out the nearby pollution, Toph confirms Satoru's claim that the refinery is not responsible, causing Aang to suggest Toph is lying to protect her crush. Furthermore, she dismisses Aang's warnings about his visions on the basis that he does not know exactly what is going to happen. When Aang tries to voice his concerns, an argument starts between him and Toph Aang is upset that the refinery and town have been built on sacred ground, while Toph, impressed by the innovations, multicultural nature and prosperity of the refinery, has no issue with its presence. Aang becomes concerned that a nearby river has been polluted by the refinery, and continues to see visions of Yangchen, which convince him of impending danger resulting from the refinery's construction. Exploring with the refinery's engineer, Satoru, whom Toph soon develops a crush on, the group discover that it utilises both new technologies as well as three of the world's bending styles, making it the first joint business venture between nations in the Avatar world. Proceeding with the festival, the group discover, much to Aang's horror, that a town with a large crystal refinery has been built over a meadow where the next stage of Yangchen's Festival traditionally took place, despite the land being sacred to the Air Nomads. He brings Katara, Sokka, Toph and the Air Acolytes along, but tensions soon start to form between Aang and Toph, after Aang's insistence of following a tradition of the festival despite not knowing its purpose reminds Toph of her life with her controlling father. Part One Īt a banquet celebrating the formation of Yu Dao's new coalition government, Aang has a vision of Avatar Yangchen, the previous Air Nomad Avatar, and is inspired to celebrate Yangchen's Festival, a holiday honoring Yangchen's supposed defeat of a powerful dark spirit. The gang decide to investigate the matter and quickly find themselves in a dangerous encounter with a malevolent spirit bent on destroying the human world. When these visits lead Aang to a refinery operating on the Air Nomads’ sacred land, the gang suspect that the refinery is responsible for polluting a nearby river. It is followed by Smoke and Shadow.Īs Avatar Aang and his friends are preparing for Yangchen's Festival, an Air Nomad holiday that hasn't been celebrated in over a century, Aang starts receiving cryptic visits from the spirit of Avatar Yangchen herself. Aang also plans to give a larger role to Toph, who was absent from The Search trilogy. The Rift shifts the focus back to a 14-year-old Avatar Aang as he begins the process of creating Republic City, in contrast to The Search, which is more focused on the story of the Fire Nation royal family. It is followed by the Smoke and Shadow trilogy. It takes place after the events of the graphic novel Avatar: The Last Airbender – The Search. Part 1 was released on March 5, 2014, Part 2 was released on July 29, 2014, and Part 3 was released on November 18, 2014.
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It is a continuation of Avatar: The Last Airbender and a prequel to The Legend of Korra, both animated TV series created by Michael Dante DiMartino and Bryan Konietzko. Avatar: The Last Airbender – The Rift, Part 1 coverĪvatar: The Last Airbender – The Rift is a graphic novel in three parts written by Gene Yang and illustrated by Studio Gurihiru.
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